Ancient Remains: Print Edition Release

Recently, the city of New Delhi, India banned all forms of single use plastic. See more details here

Hearing of this news inspired me to release a print edition of a sculpture I did in India during a sculpture symposium. This work is called Ancient Remains. I created this design in response to the proliferation of plastic water bottles littered about, as well as how I, as a foreigner, was highly encouraged to only drink bottled water. At the residency, I was forbidden from re-filling my bottle with filtered water for fear of my safety.  It made me really think about what legacy we were leaving behind: what would the ruins of the future look like?  Plastic remains.

I would like to continue to push forward the agenda of cleaning up our water ways, and ensuring clean drinking water for everyone. Much of the disposable plastic in the world ends up polluting our water ways and ocean life. $10 of every print sold will be donated to a water organization. 

Prints will be available for purchase at CONNECTS, Friday, March 10th (details in previous post), as well through my website soon... 

CONNECTS: 2nd Edition 5 á 7

(Français ci-dessous)

Friday, March 10th, 5 - 8pm
160 St. Viateur East, #800A Montreal. 

CONNECTS is an event initiative I’ve created, centred around community-building and connecting the creative-minded, forward-thinking people in my personal and professional social network. These events double as a fundraiser to assist with participatory-community art projects I’m doing in the next year. 

This edition will be held in the Mile End at the spacious customized headquarters of Oopsmark, the brain-child of Montreal-based Jesse Herbert.

Come by from 5 to 8 for a casual mixer with music, beer, wine and original artwork on display and for sale. Pay-what-you-can entry and bar. 

The goal is to bring interesting, creative, vibrant people together to share ideas, say hi, buy art, strike up a conversation, collaborate, have a human connection. Step away from your computer now… and come talk to some humans! 

Beer and samosas!


Version française:

Vendredi, 10 mars, 17h00 - 20h00
160 St. Viateur Est, #800A Montreal. 

CONNECTS est un projet de souper que j’ai créé comme moyen de collecter des fonds pour des projets d’art communautaires axés sur le développement communautaire et ayant pour but de connecter des esprits créatifs et visionnaires de mon réseau social personnel et professionnel. Nous n’avons pas besoin de FaceTime ou Facebook; nous avons tous besoin d’un peu plus de temps face à face avec nos camarades humains!

Cette édition aura lieu dans le Mile-End au spacieux siège social d’Oopsmark, l’invention personnelle du montréalais Jesse Herbert.

"Pay-what-you-can" entrée et bar.

Le but est de rassembler des personnes intéressantes, créatives et dynamiques pour partager des idées, acheter des œuvres d’art, lancer une discussion, collaborer et avoir un contact humain. Alors, laissez tomber vos ordinateurs dès maintenant et venez parler à des humains! 

Bière et samosas!

CONNECTS: Feijoada Dinner Fundraiser

Last week Friday, I hosted a dinner party for 10 at my place, launching what will be a series of fundraising initiatives over the next year to help off-set costs for community art projects I'm planning to do in Saskatchewan and in Brazil. These projects will expand on People, Pattern, Place, a series I began in 2015, seen in images below.

The overarching goal of these events, as with my collaborative art projects, is to try and connect people, by literally bringing them together. In this age of social media, we're becoming less social and more insular. I am trying to do my small part to bring people back together. What better way to do that than over comfort food, Brazilian music and wine! The menu was traditional Brazilian Feijoada (a slow food, made with smoked pork hocks, salt-cured beef and black beans) and passionfruit mousse. 

At the end of the evening, I was left with heart-warming gratitude for the positive energy and synergy created by and amongst this group of amazing, creative people. We had architects, writers, entrepreneurs and academics, as well as makers in all sorts of creative arts. It can be a lot of work to host a dinner party, but rather than being left with fatigue, I was left with energy and motivation to host more.  Stay tuned! 

CONNECTS: The Feijoada Edition

In these times of division and conflict, we need to come together, to join and share food, mingle and create new connections. 

I’ll be organizing a variety of fundraising initiatives in the coming months, all centred around community-building and connecting the creative-minded, forward-thinking people in my personal and professional social network. We don’t need FaceTime or Facebook, we all need a little more real face-to-face time with our fellow humans. 

CONNECTS: The Feijoada Edition

Friday, December 2nd.

Reserve your spot now for this EXCLUSIVE supper club style fundraiser.

I’ll be hosting a maximum of 12 people at my house for an intimate, yet casual dinner party. It’s sure to be an eclectic mix of interesting people, so of course you’ll be in good company of creative and entrepreneurial souls. Proceeds will go towards several community projects I’m planning to do in 2017-18 in Canada and Brazil (see images below of previous projects I'll be expanding on). 

Feijoada is a traditional Brazilian dish made with black beans and pork, served with rice and farofa (manioca flour). In keeping with the Brazilian theme, there will be modified caipirinhas served, a dessert of passionfruit mouse and Brazilian music. 

Bring some extra wine to loosen your hips because you never know if a samba train will break out! 

Friday, December 2nd.  

5:30-6:30 - cocktails
6:30 - appetizers
7:00 - Dinner served (Feijoada)
8:00 - desserts and coffee

Fee: $35 per person and BYOWine
Please reserve your spot before Tuesday, November 29 by email: 

What is "LEGACY"?

I'm still feeling the wobbly, slightly hung-over-from-dehydration feeling that comes the day after installing a sugar mural. The title of the mural is "LEGACY" and it was installed as part of Under Pressure Graffiti Festival in Montreal, on a wall in the Quartier des Spectacle, next to Metro St. Laurent.  It's up, I'm happy with how it looks, and now I have to return regularly to document the weathering that comes with rain and sun. 

A lot of people are asking what this mural and its imagery means? So this blog post offers more insight into why I decided to do this mural and what the meaning is behind the imagery.  

In 2009 I lost someone very dear to me in Brazil. His name was Danilo Brandao Araujo. He was shot 3 times by the police and killed. It's a long story, but in short, he was not carrying a weapon, and not in the act of committing a crime. There was no justification to kill him. Yet his death sparked no protests or inquiries. No marches or vigils were held. No hashtags or tweets. This was just another ordinary day in Brazil. Another young black man shot dead by police. His own mother didn't even push for the truth. She knows the system. There will never be answers or truth. Asking too many questions just makes more trouble for yourself. 

I was left feeling devastated, angry and powerless. For years I just held on to that anger, but not knowing what to do with it. Every time a young black man is killed unjustifiably by police, be it in Brazil, Canada or the US, I feel that wound re-open.  My frustrations finally reached their limit a few months ago and I felt some clarity of how I might turn my anger into something productive: to make a sugar mural about this epidemic issue and hopefully bring about more discussion, protest and ultimately, change. 

The central image in my mural is situated in the historic area of Salvador, Brazil. Those who have visited the area will recognize this area known as Pelourinho. What most may not know is that this word is the Portuguese word for "pillory" which is a whipping post. This is the place where slaves were brought to be whipped and publicly humiliated. I have included this location in my design as a symbol of colonization and slavery. The disproportional imprisonment and police shootings of black men in Brazil (as in other countries) can be considered the legacy of slavery; the modern day form of oppression. The anchor, chains and shackles in the design all relate to this same sentiment.  

The 3 young men featured in the design were all killed by police. The situations were different and unrelated, but the outcome was the same. Their names are: 
Danilo Brandao Araujo, 1982-2009
Wilton Esteves Domingos Júnior, 1996-2016
Roberto de Souza Penha, 2000-2016

The last 2 boys were killed along with 3 other young men when their car was loaded with bullets by police in a favela in Rio de Janeiro due to 'mistaken identity' (AKA: racial profiling).  More info about that HERE and article in Portuguese HERE

Where the mural begins as a crisp and fresh image, it will erode in the rain and sun, devolving from decadence into decay; a symbol of memento mori as well as the destructive legacy that colonization continues to have.‎ The painted imagery on the mural will quickly fade as a reminder of both actual loss as well as the fading attention these stories receive in the public consciousness. 

NOTE: Blog post was updated August 22nd to show the erosion process that the mural underwent between August 16-22. 

LEGACY: New sugar mural for Under Pressure

I'm currently working on a new sugar mural, destined to be installed in downtown Montreal, in the Quartier Spectacle, just outside of Metro St. Laurent. It's part of Under Pressure, a graffiti festival in Montreal that is 21 years strong. Check out their website for details on all the events coinciding this weekend (August 10-14).

Here are some pics of my process in studio. 


Title: Legacy

During Under Pressure, Montreal artist Shelley Miller will install an ephemeral 7 foot x 7 foot mural made entirely of sugar. This hand-painted tile mural, reminiscent of heroically themed azulejo ceramic murals, addresses the links between colonization and slavery. The image seeks to illustrate the current epidemic of young black men disproportionately imprisoned or targeted by police with lethal consequences. Miller has chosen to focus this theme in the context of Brazil to represent a global issue of injustice at the hands of police. Her losing a loved one due to profiling and her commitment to social justice were the inspiration to the project. 

Where the mural begins as a crisp and fresh image, it will soon erode, devolving from decadence into decay; a symbol of memento mori as well as the destructive legacy that colonization continues to have.‎ The painted imagery on the mural will quickly fade as a reminder of both actual loss as well as the fading attention these stories receive in the public consciousness.

The Edible Mosaic Workshop

I gave a workshop last Monday, May 2nd, on my technique for making sugar mosaics. Here are some photos of what we worked on. A lot of fun was had by the participants as well as me! I have loads of ideas to add for future workshops, so stay tuned for updates on when those will be. Thanks to Suzanne Spahi at Mosaikashop for hosting the event. 

Workshop: Making edible sugar mosaics for cake decorating

If you are familiar with my work, you know about my sugar tile murals. I make the sugar tiles by hand, then paint them, thus creating the mural. But a looooong time ago, I made a cake that looked like a mosaic table top. It was classic broken tile mosaic (for those of you who know mosaic lingo). I even had some "grout lines" on top that were created with carefully combed buttercream icing. And, to top it all off, edible nippers made of marzipan. Delicious! 

So I'm teaming up with a mosaic atelier in Montreal to do a one-day workshop on how to make your own mosaic tile cake. I'll cover how to make the sugar fondant, tips for painting the imagery, making the mosaic and finally applying it to a cake. And when it's all done, we'll eat cake! What could be better!  

Monday, May 2nd from 10am - 4pm

If you want to register, email
All the details are on the MosaikaShop blog:
Hope to see you there!